300-room residence, sea views, great security…

A performance-installation in the yard of Werkstatt der Kulturen in Berlin, next to Hasenheide Park. Part of the performance-art festival Home Sweet Home. The piece, made by louie+jesse, was inhabited by the performer Caylin Rose Janet for 5 hours on the evening of 9th July 2010. Entirely closed in, at ground level the performance could only be experienced aurally. The audience could view the full performance (and listen to the soundtrack) from the windows on the upper floors inside the building.

mattresses, wooden pallets, rope, string, plastic bucket. 2010.

     

“Dover Immigration Removal Centre is run by HM Prison Service. It occupies a historical site on top of the cliffs with views across the docks.” (UK Border Agency website). Where is home when your family’s lives are threatened by their neighbours? “We give them a cup of tea when they arrive” (The Guardian, report on Campsfield House). Where is home when you are taken from your friends, relatives and job and thrown in a prison by the country you have lived in for years? “They are like ghosts, moved without warning or explanation across the country in the dead of night, transported in unmarked vans. A silent cargo.” (Herald Scotland, Life Inside Dungavel). Why is home geographically located? “Compounds are designed so detainees can look only inwards and up at the sky, not out to the horizon.” (Sydney Morning Herald on Baxter detention centre). What is a nation and why should home be defined by it? “Outside there is a courtyard with concrete walls and floor, a few plastic chairs. The guards oversee it all through glass doors and large observation windows.” (Life inside an Australian refugee detention centre, wsws.org). Who creates or denies home? “At night the guards come every half hour, flashing their torches into sleepers’ faces. By day there is nowhere to go and little to do. There is no air, no trees, no grass. No interpreters are allowed. In Port Hedland, there are coffin cells, which are tiny compartments without any window, where there is no difference between night and day.” (wsws.org). Who has the right to tell someone to ‘go home’?

Listen to the soundtrack here:

Advertisements
This entry was posted in design for performance, live art & video, sculpture, installation, drawing. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s